Documents

August 2026 · 7 min read

What an offering memorandum costs to produce.

Nobody publishes a rate card for this, which leaves brokers guessing at a number somewhere between an analyst doing it in PowerPoint on a Sunday and a five-figure institutional package. The range is real and it is wide, and almost none of the variance comes from design. Here is what actually moves the number.

The three things that set the price

In descending order of impact:

1. Whether the content exists. This is the whole ballgame. If the property has been professionally photographed, the site plan is drawn, the rent roll is clean, and the trailing financials are in a usable format, then producing an OM is a design and typesetting exercise. If none of that is true — the normal starting position for a small private-capital deal — then somebody has to fly the property, retouch stills, redraw a floor plan from a PDF someone scanned in 2011, and reconcile a rent roll that disagrees with the T-12. That work is real, it takes days, and it dwarfs the layout.

2. Complexity of the asset. A single-tenant net-leased building with twelve years of term is a short document with one lease to summarize. A twenty-tenant center with three vacancies, two percentage-rent tenants, a ground lease, and a reciprocal easement agreement is a different object. The rent roll alone can take a day to typeset correctly.

3. How many rounds the seller wants. Two rounds is normal. Some sellers want six, and the sixth round is usually about a photograph. Scope this before you start, because open-ended revision is where budgets go.

What barely moves it

Page count, mostly. The difference between a twelve-page and a twenty-page OM is a couple of hours once the format exists and the content is in hand. People instinctively price by page and it is close to the wrong unit.

Print, too, unless you are actually printing. Most OMs are read as PDFs on a phone and never touch paper. If you are printing for a tour or a conference, that is a separate and fairly small line item.

The range, honestly

Broadly, and with the caveat that markets and firms vary:

Why the cheap quote is often the expensive one

The quote that comes in dramatically low is almost always assuming supplied content. The line reads "design and layout of client-provided materials," which is fine until the rent roll turns out to be a photograph of a printout and the only exterior photo was taken from a moving car.

At that point one of three things happens: the timeline slips while someone sources content, the scope gets renegotiated upward, or — most commonly — the document ships with what exists and looks like it. The third outcome is the expensive one, because the cost lands on the asset rather than the invoice.

When comparing quotes, the only question worth asking is: what happens if the photography is not usable? The answers separate the bids faster than any line item.

The economics that actually matter

Set against the deal, these numbers are small. On a six million dollar disposition, a difference of a few thousand dollars in document cost is roughly four basis points. A presentation problem that costs half a point of pricing costs thirty thousand.

That asymmetry is the argument for spending properly, and it is also the argument against spending indefinitely. The document needs to be good enough that presentation is not the reason a buyer passes. Past that, additional polish stops paying.

How to make the second one cheaper

Build a house format once. A defined type hierarchy, a rent roll table that stays legible as it grows, a map style, and a cover that works with either a horizontal or vertical photograph. The first document carries the cost of the system; the next twelve assemble against it.

And shoot once for everything. The photography that anchors the OM is the same photography that carries the LoopNet and Crexi listings, the lease flyers, and the property website. Producing those separately, months apart, is the most common way firms spend more than they need to.

Common questions

How much does an offering memorandum cost?

It depends almost entirely on whether the content exists. With professional photography, a drawn site plan, and a clean rent roll in hand, it is a design exercise in the low hundreds to low thousands. Without them, someone has to produce that content first, and it becomes the larger part of the cost.

Does page count drive the price?

Not much. Once a format exists and content is in hand, the difference between a twelve-page and a twenty-page document is a couple of hours. Pricing by page is close to the wrong unit.

Why do quotes for the same OM vary so widely?

Because the low quotes assume client-supplied content. When the photography turns out to be unusable or the rent roll arrives as a scan, the scope changes. Ask each bidder what happens if the photography is not usable — the answers separate the quotes faster than any line item.

Is it worth paying for an offering memorandum on a small deal?

Set it against the asset. On a six million dollar disposition, a few thousand dollars is roughly four basis points, while a presentation problem that costs half a point of pricing costs thirty thousand. The document needs to be good enough that presentation is not why a buyer passes.